記得在翻開海明威的《老人與?！愤@本書之前，我就聽說過老年漁夫與巨大的馬林魚在離岸很遠的灣流中搏斗的精彩片段，于是，便利用閑暇時間細細閱讀了一遍。最終，我被老人不斷抗爭的過程所征服。下面是xx為大家搜集整理的，歡迎閱讀與借鑒。

the old man and the sea is one of hemingway's most enduring works and mayvery well bee one of the true classics of thisgeneration. it played a great part in his winning the pulizerprize in 1953 and the 1954 novel prize for literature and confirmed his powerand presence in the literary world. hemingway is also one of my favoritewriters.

besides the old man and the sea, i have read some of his other works,such as the sun also rises, a farewell to arms and the snow of kilimanijaro. butthe old man and the sea is the one that left the deepest impression on me.

i first read this book when i was in my fifteens. and now i remember itjust as well as if i had read it yesterday.

pride and prejudice is a chefdoeuvre.

my first impression of this story was from screen.

it's long long ago, maybe before i can read english books. i don't rememberwhich movie edition i had seen. but i was impressed by the music, the sceneryand the costume.

i was very favor of a section of music in its balls. it'spretty brisk, liked a wonderful song of a bird. regarding to the characters, iliked elizabeth, the heroine,though i didn't think she's beautiful.

but she's**art. however, i didn't pay much attention to the plot. i thought it's so longthat it made me impatient and bored.

by now, i haven't read the whole story inenglish or its chinese version, either. i owe it to my prejudice.

in fact, i didn't understand the story at that time. i didn't know why itcalled pride and prejudice. of course someone was pride, but i didn't findwhere' s the prejudice.

i thought it's normal, the way people treated each otherin that. i considered prejudice would be very disgusting. but to the movieeverthing was ok in my minds, except its length.

now, i think i have understoodmore about it. i'm a prejudiced person so i can't find where's wrong. i merelylike to do the things i like.

everytime i meet somebody or something,my thinkingabout he or it all depends on my foregone experience and my mood of thetime.

this year summer vacation, i read the american well-known writerhemingway's novel “ old person and sea ”。 i extremely admire in the novel thesenior fisherman's will, he let me understand one person certainly must haverelentless spirit, only then could obtain successfully.

the novel description is one year near sixty years of age senior fisherman,when alone goes to sea in one fishing, fished one big fish, actually did notpull. the senior fisherman socialized several days after the fish, only thendiscovered this was the big marlin which one surpassed the oneself fishing boatseveral fold, although knew perfectly well very difficult to win, but still didnot give up. afterwards and further because in the big marlin wound fish fishy**ell brought in several crowds of shark fish snatches the food, but the oldperson still did not hope like this to give up, finally highlighted encirclestightly, returned to the big fish belt the fishing port, lets other fishermennot admire already.

when i read “ the senior fisherman think: here to the seacoast really wastoo near, perhaps could have a bigger fish in a farther place… ” when, iextremely admire this senior fisherman, because he by now already projected onsome fish, but he had not settled to the present situation, but was approachesthe bigger goal advance. again has a look us, usually meets one slightly isdifficult, we all plain incessantly.

we will be the motherland future, willbe supposed to like this old person same mind lofty aspiration, will even betterpursue even better, the bigger goal.

述職報告之家內容組內部知識競賽題庫:
• 教海漫記讀后感?|?英文小說讀后感?|?哈利波特英文讀后感?|?百萬英鎊英文讀后感?|?老人與海英文讀后感?|?老人與海讀后感英文

when i read “ the big marlin start fast to gather round the young fishingboat hover, twined the cable on the mast, the old person right hand lifted uphigh the steel fork, leapt the water su***ce in it the flash, did utmost throwsto its heart, one wail ended the big fish's life, it was static static floats onthe water su***ce… ” when, my heart also liked together the big stone falls. iextremely admire old person that kind do not dread, the relentless spirit,although knows the match strength is very strong, but he not slightly flinches,but is weles difficultly above. just because had this kind of spirit, thesenior fisherman only then achieved this life and death contest success.

we alsomust study senior fisherman's spirit in life, handles the matter does not fearthe difficulty, only then can obtain successfully.

《老人與?！肥俏蚁矏鄣囊槐緯?，書中蘊含的精神使我深有感觸，這一次我又把這本書閱讀了一遍，我每次讀它總能體會到不一樣的道理。

《老人與海》的作者是海明威，他用自己的親身體會和智慧打造了這本名著，描繪了一個叫桑迪亞哥的老漁民經歷的滄桑歲月。桑德亞哥住在海邊的一所小房子里。他過著與世隔絕、窮困潦倒的艱苦生活，每天晚上都獨自一人度過。在這里，老漁夫很無助。他已經84天沒有東西了。雖然令人失望，但他并不氣餒。

次日，他依舊很開心的來到大海的懷抱中。令他意想不到的是，他終于不到了一條巨大的馬林魚，勝利的血腥味把海中霸王——鯊魚給招來了，這些不請自到的“海賊”把馬林魚的肉吃了個精光，桑迪亞哥只得到了一副骨架，可他感覺到自己依舊成功了……桑迪亞哥不管是失敗還是受傷，他總是懷著樂觀的心去取得勝利。

讀著桑迪亞哥的故事，我想到了語文書中厄運打不垮信念的史學家談遷、想到了不怕嘲笑、勇于實驗的富蘭克林，想到了不屈不撓、獻身科學研究的諾貝爾，還有李時珍、愛迪生、齊白石……他們在獲得令人矚目的成就之前都歷經磨難和挫折，正如課文《厄運打不垮的信念》中告訴我們的一樣：“在漫長的人生旅途中，難免有崎嶇和坎坷，但只要有厄運打不垮的信念，希望之光就會驅散絕望之云?！?/p>

讀著桑迪亞哥的故事，我想到了自己。有一次，全班舉行班委會換屆選舉，看到這么多學生勇敢地走上講臺，大聲演講，但我嚇得雙腿都不敢走，張嘴就哭了。因為我的懦弱，我失去了鍛煉和提高自己的機會。

現在讀著桑迪亞哥的故事，我再次想到了老師曾經說過的話：“只要為理想努力過，不管有沒有成功，至少你把生命的意義融入了其中，你就是一個成功的人?！笔堑?，人生本來就是一種無止境的追求，我應該像桑迪亞哥那樣永遠不要市區對生活的信心和希望，不要市區對夢想的追求。

我相信，只要學***亞哥老人那股“永不言敗”的精神，我一定會是生活的強者!

★ 老人與海英文讀后感 ★

“一艘船越過世界的盡頭，駛向未知的大海，船頭上懸掛著一面雖然飽經風雨剝蝕卻依舊艷麗無比的旗幟，旗幟上，舞動著云龍一般的四個字閃閃發光——超越極限!”作者海明威是這樣評價他的作品《老人與?！返?。

《老人與?！愤@本書塑造了一個活生生的硬漢形象——桑提阿果爺爺。桑提阿果爺爺常年在海上打魚，但有一次，他已經84天沒有打到一條魚了。當他再一次出海時，他捕到了一條大魚。不料在返回的路上遇到了成群結隊的鯊魚要來吃魚肉。老人使出渾身解數，勇敢地與鯊魚搏斗。最終，鯊魚把能吃掉的肉都吃光了，老人最終拖回了一副大骨架。

看完這本書，我的心中久久不能平靜。桑提阿果爺爺那不服輸的精神實在讓我佩服。我最喜歡桑提阿果爺爺說的一句話：“一個人并不是生來就要給打敗的.，你可以消滅它，卻不能打敗他?！笔前?，我們只有通過堅持不懈的努力，才能到達成功的彼岸。這位普通而可敬的的老人深深的讓我們懂得了：“做人不應該貪生怕死，而要樂觀、頑強的，盡自己最大的努力去和命運中的挫折做不屈不撓的抗爭。”

在學習中，我們豈不是如此?有的同學一遇到難題或者麻煩，就要打退堂鼓，有時還會說上幾句“我不行”、“我做不出”之類的話。但老人與海中的桑提阿果爺爺遇到鯊魚時一點也沒有退縮，甚至在武器全部失去時也沒有絕望，仍舊保持著一種樂觀的心態。魚叉被鯊魚帶走了，他把小刀綁在槳把上亂扎;刀子折斷了，他用短棍;短棍也丟掉了，他用舵把來打。所以，這本書說明了：人在面對困難時最重要的就是保持樂觀的心態。書中桑提阿果爺爺充滿信心、鍥而不舍的精神，不正是我們所缺少的嗎?

堅持到底，永不言敗，這就是這本書所要告訴我們的道理。

★ 老人與海英文讀后感 ★

When I was a middle school student, Ive finished this book in Chinese.But when I read it in English,I really gain something new both in the way of expression and the spirit it shows to us.May be different ages to read the same book we will learn different things from it.At least, for my part, that is true.

Firstly,I would like to review some information about this book.Such as the background,major characters and the topic of it.

The Old Man and the Sea is a story by Ernest Hemingway, written in Cuba in 1951 and published in 1952. It was the last major work of fiction to be produced by Hemingway and published in his lifetime. One of his most famous works, it centers upon Santiago, an aging Cuban fisherman who struggles with a giant marlin far out in the Gulf Stream.

The Old Man and the Sea served to reinvigorate Hemingway's literary reputation and prompted a reexamination of his entire body of work. The novella was initially received with much popularity; it restored many readers' confidence in Hemingway's capability as an author. Its publisher, Scribner's, on an early dust jacket, called the novella a new classic, and many critics favorably compared it with such works as William Faulkner's The Bear and Herman Melville's Moby-Dick.

This book gives me a deep impression especially the description about the mans braveness and persistence.

In this book, in order to suggest the profundity of the old mans sacrifice and the glory that derives from it, Hemingway purposefully likens Santiago to Christ, who, according to Christian theology, gave his life for the greater glory of humankind. Crucifixion imagery is the most noticeable way in which Hemingway creates the symbolic parallel between Santiago and Christ. When Santiagos palms are first cut by his fishing line, the reader cannot help but think of Christ suffering his stigmata. Later, when the sharks arrive, Hemingway portrays the old man as a crucified martyr, saying that he makes a noise similar to that of a man having nails driven through his hands. Furthermore, the image of the old man struggling up the hill with his mast across his shoulders recalls Christs march toward Calvary. Even the position in which Santiago collapses on his bedface down with his arms out straight and the palms of his hands upbrings to mind the image of Christ suffering on the cross. Hemingway employs these images in the final pages of the novella in order to link Santiago to Christ, who exemplified transcendence by turning loss into gain, defeat into triumph, and even death into renewed life.

The major characters in this book are also vivid and lively.

Santiago?,the old man of the novellas title, Santiago is a Cuban fisherman who has had an extended run of bad luck. Despite his expertise, he has been unable to catch a fish for eighty-four days. He is humble, yet exhibits a justified pride in his abilities. His knowledge of the sea and its creatures, and of his craft, is unparalleled and helps him preserve a sense of hope regardless of circumstance.

The marlin?,Santiago hooks the marlin, which we learn at the end of the novella measures eighteen feet, on the first afternoon of his fishing expedition. Manolin?,a boy presumably in his adolescence, Manolin is Santiagos apprentice and devoted attendant. The old man first took him out on a boat when he was merely five years old. Due to Santiagos recent bad luck, Manolins parents have forced the boy to go out on a different fishing boat. Manolin, however, still cares deeply for the old man, to whom he continues to look as a mentor.

Joe DiMaggio, although DiMaggio never appears in the novel, he plays a significant role nonetheless. Santiago worships him as a model of strength and commitment, and his thoughts turn toward DiMaggio whenever he needs to reassure himself of his own strength. Perico ?,Perico, the reader assumes, owns the bodega in Santiagos village. He never appears in the novel, but he serves an important role in the fishermans life by providing him with newspapers that report the baseball scores. This act establishes him as a kind man who helps the aging Santiago.

Martin,like Perico, Martin, a caf owner in Santiagos village, does not appear in the story. The reader learns of him through Manolin, who often goes to Martin for Santiagos supper. As the old man says, Martin is a man of frequent kindness who deserves to be repaid.

From the very first paragraph, Santiago is characterized as someone struggling against defeat. He has gone eighty-four days without catching a fishhe will soon pass his own record of eighty-seven days. Almost as a reminder of Santiagos struggle, the sail of his skiff resembles the flag of permanent defeat. But the old man refuses defeat at every turn: he resolves to sail out beyond the other fishermen to where the biggest fish promise to be. He lands the marlin, tying his record of eighty-seven days after a brutal three-day fight, and he continues to ward off sharks from stealing his prey, even though he knows the battle is useless.

Because Santiago is pitted against the creatures of the sea, some readers choose to view the tale as a chronicle of mans battle against the natural world, but the novella is, more accurately, the story of mans place within nature. Both Santiago and the marlin display qualities of pride, honor, and bravery, and both are subject to the same eternal law: they must kill or be killed. As Santiago reflects when he watches the weary warbler fly toward shore, where it will inevitably meet the hawk, the world is filled with predators, and no living thing can escape the inevitable struggle that will lead to its death. Santiago lives according to his own observation: man is not made for defeat . . . [a] man can be destroyed but not defeated. In Hemingways portrait of the world, death is inevitable, but the best men （and animals） will nonetheless refuse to give in to its power. Accordingly, man and fish will struggle to the death, just as hungry sharks will lay waste to an old mans trophy catch.

The novel suggests that it is possible to transcend this natural law. In fact, the very inevitability of destruction creates the terms that allow a worthy man or beast to transcend it. It is precisely through the effort to battle the inevitable that a man can prove himself. Indeed, a man can prove this determination over and over through the worthiness of the opponents he chooses to face. Santiago finds the marlin worthy of a fight, just as he once found the great negro of Cienfuegos worthy. HSantiago, though destroyed at the end of the novella, is never defeated. Instead, he emerges as a hero. Santiagos struggle does not enable him to change mans place in the world. Rather, it enables him to meet his most dignified destiny.

While it is certainly true that Santiagos eighty-four-day run of bad luck is an affront to his pride as a masterful fisherman, and that his attempt to bear out his skills by sailing far into the gulf waters leads to disaster, Hemingway does not condemn his protagonist for being full of pride. On the contrary, Santiago stands as proof that pride motivates men to greatness. Because the old man acknowledges that he killed the mighty marlin largely out of pride, and because his capture of the marlin leads in turn to his heroic transcendence of defeat, pride becomes the source of Santiagos greatest strength. Without a ferocious sense of pride, that battle would never have been fought, or more likely, it would have been abandoned before the end.

Santiagos pride also motivates his desire to transcend the destructive forces of nature. Throughout the novel, no matter how baleful his circumstances become, the old man exhibits an unflagging determination to catch the marlin and bring it to shore. When the first shark arrives, Santiagos resolve is mentioned twice in the space of just a few paragraphs. Even if the old man had returned with the marlin intact, his moment of glory, like the marlins meat, would have been short-lived. The glory and honor Santiago accrues comes not from his battle itself but from his pride and determination to fight.

Santiago dreams his pleasant dream of the lions at play on the beaches of Africa three times. The first time is the night before he departs on his three-day fishing expedition, the second occurs when he sleeps on the boat for a few hours in the middle of his struggle with the marlin, and the third takes place at the very end of the book. In fact, the sober promise of the triumph and regeneration with which the novella closes is supported by the final image of the lions. Because Santiago associates the lions with his youth, the dream suggests the circular nature of life. Additionally, because Santiago imagines the lions, fierce predators, playing, his dream suggests a harmony between the opposing forceslife and death, love and hate, destruction and regenerationof nature.

This book gives me courage of conquering all kinds of difficulties .And I have the belief that the most beautiful thing is the process that we make our best to achieve our dream,and never say give up .

★ 老人與海英文讀后感 ★

看了很多名著，一直都不敢妄加評論，并不完全因為怯懦，更多的是一種尊敬的心理。因為作為名著其實都有他深刻的一面，在看似平淡的書寫里，透出的是仁者見仁，智者見智的東西。這就是為什么傳世名著以散文和小說居多的原因，詩歌和評論就因為其鮮明地個性和觀點，使其成為時勢英雄，最后或者被利用成工具，或者因為時間的推移成為花瓶式的擺設?？撮艠湎伦髡摺斑h處飄來一朵云”的評論，“一朵云”的年輕，使她/他看到“冰山在海上移動之所以顯得莊嚴宏偉，是因為它只有八分之一露出水面”，“一朵云”看到的也只是海明威所寫的，露出水面的八分之一，那水下的呢，還有它的八分之七的根基呢。老人桑提亞哥出海挑戰大海的時候，那是人類都會引為自豪的象征，勇于挑戰和渴望征服浩瀚的大海，渴望和一條真正的鯊魚面對面的挑戰。一條船，一個老人，一片浩瀚的大海。鯊魚出現了，大海只派了他的小小的鯊魚出現了，老人和小船，大海派來的小小的鯊魚，老人是人類的代表，老人眼里是條真正的鯊魚。于是，老人抖擻精神，和鯊魚進行著殊死搏斗，一場征服和反征服的搏斗，“大塊的魚肉”和后來的爭奪，局部的勝利之后，當老人感覺勝利在握的時候，“鯊魚忽然……”，老人最后是空著雙手，幸運地“凱旋”。

我最初看《老人與?！分?，只感嘆了一句：人最終不知道自己需要什么，征服了什么。依然還是這樣的感嘆，在9.11之后和之前，布什也許從來沒看過他故鄉的老人，給他的忠告。老人與海的挑戰，進行了不屈不饒征服，但是你是不是想過，人是不是在不屈不饒的制造問題，然后再去解決他，到底這世界最后誰征服誰，征服了之后做什么，為什么要征服而不是……中國古代文化的內涵，在與親和力，而不是征服的力量。海明威參加過美國人的英雄思維，就是強調征服的力量，但是失明后的他，開始思考征服的意義，所以才有老人和海。美國在里的結果，海明威是里的老人，人類的生存意識是海，如果盲目的強調一個生命對另個生命的征服和占有，即使進行著不屈不饒的過程，結果只有海明威所寫的，老人空著手回航：“一個人并不是生來要被打敗的，你盡可以把他消滅掉，但永遠不會打敗他?！比巳绱?，其他的生命呢？

★ 老人與海英文讀后感 ★